Works Of Art From Laughter
Seeing a knockoff of a 17th century Rembrandt, the auction house valued the portrait at nothing more than $3,100. A British buyer ended up paying 1,...
Seeing a knockoff of a 17th century Rembrandt, the auction house valued the portrait at nothing more than $3,100. A British buyer ended up paying 1,500 times more than that but he was completely aware of what he was doing. Four and a half million was the amount paid to an English auction house for the Rembrandt Laughing which experts said was a self portrait done by the Dutch master depicted with his head tilted back in easygoing laughter.
The price charged by the auction for the artwork was pretty small compared to its value amounting to $30 or $40 million as mentioned by a collector whose specialty is in Dutch and Flemish masters and he was surprised that the price did not reach a higher amount. When a new price was asked to be put on the painting the art expert from Sotheby’s declined the request. Such a sale is a rare opportunity for coming across a work by Rembrandt does not happen as often only coming on the market every few years.
In his hometown of Leiden was where Rembrandt painted the self portrait and he was in his early 20s then in 1628. During this time he was already making a name for himself in the art world and he used a mirror and his face as he played with expressions. It has an incredible presence. Other than the naturalness of the laugh, the light has the most natural quality as well.
There was an English family who previously owned the painting for 100 years. People thought that it was Rembrandt’s imitator or one of his students. When it comes to the low evaluation given by the auction house, to blame are poor photographs that may have shown little of the painting’s luminosity or depth. But in a 23 page analysis, he described why Rembrandt was almost certainly the creator of the little work, brush stroke, contour, materials and the monogram all point to the master’s hand.
The painting was a genuine Rembrandt from the monogram RHL and this might have been realized by the winner of the auction considering the rare style used by the artist for only a year. The meaning of the monogram was Rembrandt Harmenszoon of Leiden. HL was the signature the auction house recorded in its assessment. More convincing are these initials for they were painted onto the background and the direction of the brush strokes match another one of Rembrandt’s monograms.
When it comes to the shape of the body of the laughing Rembrandt the experts were baffled. There was a woolly blanket for clothing, the metal armor and glossy shirt appear amorphous, it lay in lumpy folds, and there was limited definition of the anatomy below. But there is a distinct contour which he also used in his later works. This contour possessed a certain autonomy and it has been said that Rembrandt may have been experimenting with this way of painting the body.
Considering the size and type of the thin copper plate on which the piece is painted, it matches the other Rembrandt paintings. A common characteristic among all Rembrandt paintings is a second painting underneath each one and xrays that this had the same dual image. People could not give an exact location for the painting before 1800 and there was a time when a Flemish engraver attributed the original to the Dutch painter Frans Hals after making a reproductive print as he did not recognize that the face in the picture was Rembrandt’s. People were searching for the painting again after the silence that followed.
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